Tuesday, 14 February 2012

Reference material. The Space. 1/02/2012 Tricia Anderson explains. Handheld shots

Here you can find material recorded at The Space on Wednesday 1 February 2012. To make it more accessible I have divided it into sections.  First to go are the shots from small Panasconic SD90, hand held. Tricia Anderson leads the dancers and describes the movements, action and emotional state of Nina.

Reaching, Going Forward, Spiral Going Down:

 


Blocking:




Blocking and Passing:


Touch becomes a wound. Blocking:



Holding. Letting go. Breathing:




Game between two: protecting and hurting. Hanging on but giving up at the same time. Remembering moments:




Helping/cradling Confidence Attack:



Reference material. The Space. 1/02/2012 Dance Handheld shots

Below you can find material recorded  at The Space on Wednesday 1 February 2012.
Dance sequences. Dancers: Miranda Sheehy, Courtney Robertson, Alicja Brzezicka, Dimitra Daskalaki

Warm up:



Reaching, Going Forward, Spiral Going Dow:

 

 

Blocking:

 

Blocking and Passing:

 

Blocking. Touch. Wound:




Holding. Letting go. Breathing:

 

 

Game between two: protecting and hurting:




Game between two: protecting and hurting. Hanging on but giving up at the same time. Remembering moments. Individual dance:



Helping/cradling Confidence Attack:



Cradling, Attacking:





Cradling, Attacking, Throwing out of balance:




Wednesday, 8 February 2012

Audio Recordings from The Space Wednesday 01/02/2012

The recordings from Wednesday when we went to The Space.




First bit of recording for Dancing Nina research.
00.00- Session begins, Joanna, Slava and dancers talking
02.07- Dancing, soft breath Heavy steps
03.45- Heavier breaths
04.59- Feet squeeking
05.28- Heavy breathe out and foot work
06.07- Talking
08.59- Foot work and breathing
11.24- Talking




More Dancing Nina research
00.00- Tricia Talking
02.49- Music with movements
03.02- Tricia talking to dancers
05.36- Breathing, dance, falling, footwork (when she was scrabbling away from tricia on the floor.)
06.38- Dancing noises and music
07.32- Tricia and dancing noises
09.55- Music and dancing noises (emotional)





00.00- Dancer talking about process with Tricia
- Tricia talking
05.11- Dance moves to music
05.35- Emotional dancing (gasping and struggle)
06.23- Tricia talking (leaning)
08.58- Emotional dancing
14.37- Dancer tallking about role reversal
- Tricia
17.17- Dance with emotional memory
- Tricia
- End

Thursday, 2 February 2012

Dancing scribbles





On-the-spot life drawing of Miranda, Courtney, Dimitra, Alicja and Tricia at The Space yesterday, improvising. E.g. rising, falling, spiralling, blocking, and puppeting each other.

Concept Scribbles


A couple of quick drawings i made when Jo first showed me some photos we were going to use for inspiration.

Wednesday, 1 February 2012

Production meeting minutes 31 January 2012

Ideas discussed in the meeting:
 
  • use of flashbacks (Nuria) examples 'beautiful' '21 grams'  
  • what we see in the attic? is there anything that resembles the male character? Belongings, maybe his clothes. Look at scene from "the Artist": a hand appearing in a suit sleeve, maybe she could wrap herself in the sheets/cloths hanging in the attic 
  • 'Tale of Three Brothers'
Script:
  • how to describe a dance or a fight in the script, possibly use a phrase "dance scene in which...after certain amount of time ...." etc 
  • use of shot description in the script yes, it is allowed, especially if you have something particular in mind, Wayne has 80% stuff pre visualised before writing a script 
  • 3 possible scripts:  
    • Freedom - dance/dying is a spiritual escape, Nina leaves physical body behind her. It is rather positive experience, gives us strong sense of freedom. look at different cultures and their attitude towards death 
    • Fight - struggle, conflict, the male character/death brings the tension 
    • Both (possible use of flashbacks in this version) 
 
Music: 
  • tango seems to be too structured, do we want to leave more space for interpretation? 
  • something slightly more abstract with 'moments that suggest' 
  • instruments like: piano, violin, viola, cello, accordion 
  • what about flamenco. maybe modern flamenco (Nuria: Bebo Valdes) 
  • look at fado 
  • look at Antonio Forcione - possibility 
  • Tricia brought Miguel Poveda record (track 5 and 12) 
  • use of specific/assigned instrument when character appears, different instrument - different personality,  look at 'Peter and the Wolf' 
  • prepare rough animatic and then pass it on to the composer 


To do: 
  • Jo write 3 versions of the script  
  • organise a small production meeting,  team discuss the scripts, decide 
  • 1st and 2nd February filming at the Space - generating reference material/ working on choreography 
  • write down what we need from the dancers 
  • book equipment (tripod, Sony z7e + something small for hand-held shots, sound recorder, go and ask technicians about mics) 
  • record sound/film 
  • organise transport 
  • prepare release forms 
  • Nuria bring/visualize the flashback idea


Things done for meeting:
 
  • The Space arrangements (Slava)
  • further research

Production meeting minutes 24 January 2012

During last term I was responsible for production management of The Date Night - short animated film. I used to write down and post the production meeting minutes quite regularly. It helped me a lot with organising things and making sure that all members of the team can track ideas floating around and the decision-making process. Since English is not my first language I tend to write minutes in the form of catchwords and bullet-points. I have a huge request: if something is not clear enough, please let me know....



Below you can find minutes from 24 January, our first production meeting:


Slava's ideas:
- use/experiment with screen print to develop the textures
- use of a chair in choreography, Nina stands on a chair, makes a step but there is noone to catch her
-sense of security in choreography

Ideas discussed in the meeting:
- no music in the beginning
- use of tango
- mixing the music: strong and delicate
- poem pace, use of voice over and sounds like heart beat, incidental music
- use of blue as a colour of grief/sadness - (Picasso)
- Nina behaviour before the dance : she is focused, methodical, tidies everything up, puts shoes together etc
 ("The Odd Couple" - Wayne's association)
- what makes her dance, maybe they are in conflict
- the act of falling - revealing shot
- use of Poswiatowska biography as an example for a Nina's back story

To do:
- back story
- script
- concepts

Research to do:
- look at animation with use of 'multiply frames' /delay  effect (e.g. Piotr Dumala)

Things done for the meeting:
- blog
- production schedule
- synopsis
- basic character log
- emails (Finn, Tricia, dancers from the Space)
- poem recording